This month's BaseballChronology
Book of the Month is on the
history of baseball in Chicago in the 19th Century. You are on page 3
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First Code of Rules
While General Abner Doubleday is credited withthe
invention of baseball, his greatest contribution was that of a playing
field or diamond which has retained the same dimensions ever since.
Doubleday does not appear to have offered much in the way of rules.
The first code of rules on record was prepared by the Knickerbocker
Club of New York in 1845 comprising only fourteen brief sections. One
of the most interesting was the method of scoring. Games continued,
regardless of the number of innings, until one team made 21 aces, or runs,
provided that both teams had played the same number of innings.
Under the first rules, and for many years thereafter, the pitcher was
required to pitch, not throw, the ball. This meant that an underhand
motion had to be used. The Knickerbocker
rules also provided that a batted ball caught either on the fly or on
the first bounce was an out.
Except for these provisions, the original baseball rules were
essentially the same as those of today. However, the rules were too simple
to cover every possible play, and changes were soon necessary.
Early Changes in Rules In 1857, the
nine-inning plan was adopted, withthe provision that, if
necessary, five innings wouldconstitute a legal game.
There was no called-ball penalty in the early rules, and the pitcher
was allowed to waste as many pitches as he wished. Conversely, the batter
had the privilege of swinging only at pitches that were to his liking, but
was not allowed to delay the game or help a baserunner by failing to offer
at good balls, a stipulation that must have worked many heated arguments.
Rules of 1863
At the National Association of Base Ball Players convention in 1863, a
general revision of the rules was made. Among other changes, the pitcher's
"base point" and home base were required to be marked with iron
plates. The "out on the first bound" rule was retained, but a
year later another revision eliminated the bound catch on fair flies,
retaining it on fouls.
Up to this time the pitcher had been allowed to take a short run in
delivering the ball, so long as he did not overstep a line 45 feet from
the home plate. The rules of 1863 required him to stand still and keep
inside his box.
The most important change was the introduction of called balls and
strikes, but the rule on balls was not clear. It stated that if the
pitcher failed to get the ball over the plate in a reasonable number of
tries the umpire was to warn him, and then begin to call balls on the wide
pitches, three of which entitled the batter to take his base. From this it
would appear that the batter might have to take four or five wild pitches
before getting a pass.
Further Changes in Rules
In 1867, the batter was given the privilege ofcalling
for either a high or a low pitch. This rule was kept in the code for
twenty years, in spite of its great disadvantage to pitchers.
The most curious provision of the rules adopted by the National
Association in 1872 had to do with called balls. If the umpire called a
pitch a ball, and the batter struck at it and hit it, he could not be put
out. In other words, if the batter reached for a wide one and tapped out a
pop fly to a fielder, he was not out, if, in the umpire's judgment, the
pitch was a ball. No wonder batting averages grew fat in the 1870's!
Bases on Balls From the time the base on balls was introduced, the question of
how many called balls should entitle the batter to a walk seems to have
vexed the rulemakers. For several years three balls was deemed a
sufficient number. In 1878, the number was fixed at nine, giving the
pitcher an edge on the batter, which he certainly needed.
Gradually the number of called balls was reduced. In 1880, it was pared
down to eight, and in 1881 to seven. In 1884 it was cut to six; in 1885
raised again to seven; and back to six in 1886. For the season of 1887 it
was reduced to five, and finally, in 1889, the number was fixed at four,
where it has remained ever since.
Rules on Strikes From the very beginning the familiar "three strikes and out"
has been the rule of baseball — with one exception. In 1887, the number
was increased to four, only to be promptly put back to three again the
next year.
However, what is a strike? The umpire is often unjustly accused of not
knowing, but for many years the framers of rules were not quite sure
themselves. As has already been seen, in 1863, the umpire was given the
power to call strikes. But, as batting grew more scientific, the hitters
learned to foul off pitches that might otherwise have been called against
them. No attempt to curb this practice was made until 1887, at which time
an obviously planned foul was penalized as a strike, but this rule caused
such violent arguments that it was soon discarded. In 1894, bunted fouls
and foul tips that were caught were counted as strike. Not until 1901 was
the present rule adopted, making any foul a strike, until the batter has
two strikes on him, after which he may foul off as long as he is able.
Pitching Rules a Problem
No other department of the game has undergone so much change as pitching.
Where and how the pitcher should stand — or move — and what sort of
arm motion he should use in delivering the ball were knotty problems until
the present-day regulations came into effect.
The earliest rules placed only two restrictions on the pitcher; to use
an underhand motion, and not to overstep a boundary line forty-five feet
from the plate.
In 1858, the pitcher stood behind a twelve-foot line, forty-five feet
from home plate, but, within those limits, could move about as he pleased.
By 1863, he had to stand still inside a box twelve feet long and four feet
wide. In 1872, the box was a six-foot square, with its front line
forty-five feet from home plate. The square was marked by iron corners,
and the center line marked by iron plates, or quoits, called pitcher's
"points." From the founding of the National League in 1876 until
1881, the pitcher's box was six feet by four.
Throw Finally Legalized Gradually, with the introduction of the curve ball, pitchers began to
get away from the underhand motion, but not until 1883 was this fully
legalized. In that year the pitcher was allowed, for the first a sidearm
throw, provided he did not raise his arm above the shoulder.
Pitchers were inclined to deliver their throws with a skip or jump that
carried them out of their box. To prevent this, a large marble slab was
placed in front of the box. Many players were injured from slipping on the
marble, however, others craftily took to wearing rubber-soled shoes, and
finally the slab was abandoned in favor of the more sensible plan of
penalizing the pitcher for overstepping.
In 1884, all restrictions on arm motion were removed, but the pitcher
could take only one step in making the throw. In 1887, he was no longer
required to pitch high or low as the batter demanded, and thus the rules
governing pitching became practically the same as those of today.
How Pitchers Became "Slabmen" Baseball writers sometimes refer to pitchers as"slab
artists" and "moundsmen." In 1893, a small marble slab was
adopted, against which the pitcher had to keep one foot while delivering
the ball. (This slab should not be confused with the tombstone sized slab
of 1883.) The pitcher's plate was first a small rectangle, twelve by six
inches,* later increased to its present size of twenty-four by six inches.
•The pitcher's plate is now
made of rubber.
The expression "on the mound" is derived from the fact that
for many years it has been customary to elevate the pitcher's position
slightly above the rest of the infield, although this was not provided for
in the official rules until a rather late date.
Pitching Distance Changes The distance from the pitcher's box to home plate remained at
forty-five feet until 1881, when it was lengthened to fifty feet. This was
again changed with the adoption of a pitcher's plate in place of the box,
and permanently fixed at sixty feet six inches.
Some Miscellaneous Developments Nine men on a side has been so constant a feature that the custom
of calling a baseball team a nine is about as old as the game itself.
In 1874, a few teams experimented with a tenth player on the field, in
a position designated as right short-stop. He played where the second
baseman usually does, making the second baseman a sort of roving
short-center fielder. The Chicago White Stockings played a game with the
Atlantics on July 29, 1874, using a tenth man, and the experiment was
termed a success, but the idea failed to win general favor.
The changes in size and composition of the official baseball have been
many, but of no great interest. It has always been a hard, leather-covered
sphere, and size variations have not been great. As noted elsewhere in
this book, livelier baseballs were used more in some years than in others;
the modern ball is slightly more resilient than any of the old ones.
Until 1872, a bat could be any length, but since that time forty-two
inches has been the limit. Its greatest thickness was then fixed at two
and one-half inches, and later increased a quarter of an inch. An effort
was once made to popularize a square bat, and at one time it was
permissible to have one side flattened for bunting, but with these
exceptions the bat has always been round and tapering.
What the Rules Have Done To give a complete account of all the rule changes and
developments would be far beyond the scope of this work. Nearly every year
saw the adoption of new rules or revisions. Yet the majority of these
changes did not touch the fundamental playing conditions of baseball. They
were directed rather toward the refinement and perfection of the existing
sport.
With some blunders along the way, this aim has been accomplished. Few
games have as complicated a system of rules as baseball, yet its intrinsic
elements are easily understood by anyone. No important rule changes have
been made in the past thirty years, and none seems desirable — a high
tribute to the men who devoted their lives toward perfecting the national
game.
SOME UNUSUAL
CHICAGO RECORDS BEFORE 1900
The first shut-out score by a professional team was made in
1870 when the Chicago club defeated the Atlantics of New Orleans, 51 to 0.
Chicago also registered the first shut-out in the National League when it
defeated St. Louis 1 to 0 in 1876. Either of these victories may have
started the custom of calling shut-outs "Chicago scores," which
persisted down through the 1890's.
The most one-sided contest in professional baseball occurred on June
18, 1874 when Chicago was defeated 38 to 1, by the Brooklyn Mutuals.
The largest number of runs in a single inning was made by the White
Stockings in a game with Detroit, September 6, 1883. In the seventh inning
Chicago made 18 hits and 18 runs.
The White Stockings, on June 29, 1897, defeated Louisville, by a score
of 36 to 7, a record for baseball played under modern conditions.
In 1896, Lange of Chicago led the National League in base stealing with
100 stolen bases. He led the league again in 1897, with 83 thefts.
John Luby, White Stockings pitcher, won seventeen consecutive victories
in 1890.
James McCormick of Chicago won sixteen straight in 1886. As the pitcher
was then required to throw high or low as the batter demanded, this record
merits comparison with longer strings of consecutive victories. Luby's
record was made after this restriction was abolished. (Luby was generally
credited with winning 20 straight games until the publication of Richter's
History and Records of Baseball in 1914. The best record under
modern conditions was made by Rube Marquard of the New York Giants, who
won 19 straight in 1912. The best record under the high or low ball rule
was made by Charles Radbourn of the Providence National League club in
1884, who won 18 in a row.)
John Clarkson, greatest of old-time Chicago pitchers, made his best
record after leaving the Chicago club. In 1889, he pitched 72 games for
Boston, winning 46. The most remarkable thing about such old-time records
is that until the 1890's there were usually not more than two, at most
three, pitchers on a team, and the best pitcher worked more than half the
games. Today a ball-tosser feels overworked if asked to pitch more than
twice a week.
Although he was not a Chicago player when he performed his feat, Paul
Hines deserves mention as the first player to make a triple play
unassisted. He made this sensational put-out of three men in 1879, while
playing with the Providence, R. I., club. Hines was a fielder with the
Chicago White Stockings from 1874 to 1877. For the benefit of fans who
have never seen any sort of triple play, here is how Hines did it: With
runners on second and third, a short fly was hit to center. Believing the
fly could not be caught, the man on base began to run for third and home.
Hines, playing center field, came in on a dead run, making a remarkable
catch as he came. Then, without pausing, he tagged second base, and ran on
to third and tagged there before either runner could get back.
CASEY AT THE BAT By Ernest Lawrence Thayer
[De Wolfe Hopper is said to have given immortality to this
baseball lyric by his many and matchless recitations of it. However,
"Casey at the Bat" has a life of its own, and if Hopper had not
made it his by hundreds of public recitations, it would still be worth
preserving. It has all the emotions experienced by the fan as he watches
his favorites rise and fall: the gloom of impending disaster, the spark of
hope which rises from a few safe hits, the fire of renewed belief, and —
as so often happens — the final crushing blow. It has the spirit that
was born in old-time baseball, the spirit that today moves every real fan
and player.]
The outlook wasn't brilliant for the Mudville nine that day;
The score stood four to two, with but one inning more to play;
And so, when Cooney died at first, and Burrows did the same;
A sickly silence fell upon the patrons of the game.
A struggling few got up to go in deep despair, the rest
Clung to the hope which springs eternal in the human breast;
They thought, if only Casey could but get a whack, at that,
They'd put up even money now — with Casey at the bat.
But Flynn preceded Casey, as did also Jimmy Blake,
And the former was a pudding and the latter was a cake;
So upon that stricken multitude grim melancholy sat,
For there seemed but little chance of Casey's getting to the bat.
But Flynn let drive a single, to the wonderment of all,
And Blake, the much despised, tore the cover off the ball;
And when the dust had lifted, and they saw what had occurred,
There was Jimmy safe on second, and Flynn a-hugging third.
Then from the gladdened multitude went up a joyous yell,
It bounded from the mountain-top, and rattled in the dell;
It struck upon the hillside, and recoiled upon the flat;
For Casey, mighty Casey, was advancing to the bat.
There was ease in Casey's manner as he stepped into his place;
There was pride in Casey's bearing and a smile on Casey's face;
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt 'twas Casey at the bat.
Ten thousand eyes were on him as he rubbed his hands with dirt,
Five thousand tongues applauded when he wiped them on his shirt;
Then while the writhing pitcher ground the ball into his hip,
Defiance gleamed in Casey's eye, a sneer curled Casey's lip.
And now the leather-covered sphere came hurtling through the air,
And Casey stood a-watching it in haughty grandeur there;
Close by the sturdy batsman the ball unheeded sped,
"That ain't my style," said Casey. "Strike one," the
umpire said.
From the benches, black with people, there went up a muffled roar,
Like the beating of the storm-waves on a stern and distant shore;
"Kill him! Kill the umpire!" shouted someone on the stand;
And it's likely they'd have killed him had not Casey raised his hand.
With a smile of Christian charity great Casey's visage shown;
He stilled the rising tumult; he bade the game go on;
He signaled to the pitcher, and once more the spheroid flew;
But Casey still ignored it, and the umpire said, "Strike two."
"Fraud!" cried the maddened thousands, and echo answered
fraud;
But one scornful look from Casey and the audience was awed;
They saw his face grow stern and cold, they saw his muscles strain.
And they knew that Casey wouldn't let that ball go by again.
The sneer is gone from Casey's lip, his teeth are clenched in hate;
He pounds with cruel violence his bat upon the plate.
And now the pitcher holds the ball, and now he lets it go,
And now the air is shattered by the force of Casey's blow.
Oh, somewhere in this favored land the sun is shining bright;
The band is playing somewhere, and somewhere hearts are light,
And somewhere men are laughing, and somewhere children shout;
But there is no joy in Mudville—mighty Casey has struck out.
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